The titles were created by employing a wide range of mediums, including 2D, stop-motion animation and even some in-house audio design. Most fun was a 4K Flex Phantom shoot for 'Record Smashers', for which the team built their own guillotine rig and destroyed a number of shiny objects with a sledgehammer (whilst listening to AC/DC...loud). Now that all the cuts have healed and office normalcy has resumed, we are happy to share the outcomes.