The build of the Hermes was a major focus for Framestore’s teams. At 225m in length, the spaceship is the biggest and most complex created by Framestore to date, and is more than double the size of the current International Space Station (ISS). Early pre-visualisation and production design defined its measurements, with consideration for practicalities such as the time it would take the astronauts to move around it, and the space needed to store supplies for a mission as long as Ares III. Everything was grounded in reality; the film may be sci-fi, but the content is true to life, with minimal design from scratch.

Designing an entire planet was another task for Framestore, responsible for the look of Mars throughout. With a key opening shot and various space establishers, it was again important to strike the balance between accuracy and cinematic beauty. Framestore knew that they would use the same technology as for the Earth in Gravity, consisting of a volumetric render of extremely high resolution texture information, combined with dust and atmospheric clouds. The challenge lay in finding adequate reference material for Mars, for which not a great deal of movie-resolution photography existed. The team used a combination of photography and satellite data, in a fairly novel way, to get the detail they needed.